But that's not it! You heard right. The Syllabuilder Agile Legato not only allows the user to play legato with every syllable availabe in the library, but also features intelligent voice leading enabling polyphonic writing within just one patch. In other words: Hold down a chord in the left, play a melody with your right hand and have it all connected with legato transitions.

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SOUND ON SOUND
Being in development for more than 3 years the final chapter of Strezov Sampling's Next Generation Choir Series is at hand. But that's not it! You heard right. The Syllabuilder Agile Legato not only allows the user to play legato with every syllable availabe in the library, but also features intelligent voice leading enabling polyphonic writing within just one patch. In other words: Hold down a chord in the left, play a melody with your right hand and have it all connected with legato transitions. This powerful feature is controllable by the most common of all midi cc controllers, the sustain pedal. When it comes to virtual choirs there are basically two approaches: Phrasebuilding StormChoir series and Wordbuilding Rhodope series. This allows you to have amazing sounding results within seconds, but also to build and create new sample content with only few mouse-clicks.
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Being in developement for more than 3 years the final chapter of Strezov Sampling's Next Generation Choir Series is at hand. But that's not it! You heard right. The Syllabuilder Agile Legato not only allows the user to play legato with every syllable availabe in the library, but also features intelligent voice leading enabling polyphonic writing within just one patch. In other words: Hold down a chord in the left, play a melody with your right hand and have it all connected with legato transitions. This powerful feature is controllable by the most common of all midi cc controllers, the sustain pedal. When it comes to virtual choirs there are basically two approaches: Phrasebuilding StormChoir series and Wordbuilding Rhodope series.
This masculine troupe delivers its performances with panache, with the profondo guys living up to their name by stretching down to an unfeasibly low contrabass G1. Alternatively, if you want to feature these deliveries, you can edit their velocity settings or load them as separate patches. These singers are veterans of many recording sessions, and it shows. As in Freyja, alto and soprano sections from each choir were recorded separately, this time at two dynamics. While that sounds clunky on paper, it actually works surprisingly well.