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Are you a female movie character? Are you promiscuous? Things won’t end well for you …
So young women with high sex drives will suppress their desires because a man who has lots of sex with different women is a stud or a player often considered positive , whereas a woman who does so is considered a slut or a nympho pretty much always considered negative. And having a reputation of a slut or nympho makes it difficult to impossible for young women to fi So, young women tend to be more cautious and inhibited regarding sex and sexual matters. However, when women become older, they become less inhibited, because they know how to get sex without getting a bad reputation. Plus, older women who have sex are not considered sluts anymore, but cougars, which sounds a lot cooler. Young women will therefore take a lot of time and energy to seduce — they need confirmation that a man is a potential mate and can provide for them, so they select those traits by going out on numerous dates to assess their potential partners. In contrast, older women often have had children, sometimes divorced their couch potato husbands, and become in general more adventurous, both in life as sexually. So they become less inhibited because life is short and want to live some more before they kick the bucket.
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I t is a radical act, which every film generation thinks they are the first to discover: to create characters who are not good people. The eponymous Daphne , a millennial chef trying to weather a choppy, hostile London, in a low-fi indie debut from Peter Mackie Burns, is not at all winsome — haughty and self-absorbed, cranky and ungenerous, she is arresting like the first spoon of a cold soup that you expected to be hot. Her sheer obstreperousness gets in the way of what would otherwise be her headline trait, promiscuity. Nevertheless, she has agency enough to upend all the on-screen conventions about women and sex. In theory, if not in practice, she sleeps with whoever she wants to. TV is different: less conservative, better at tracking the ambient sexual mores of the culture. On the big screen, we look to the s and 40s — rightly — for an object lesson in how to make a female character with depth, verve, wit and intelligence, but to expect those women to shag around would be unreasonable, anachronistic.
But in this context, the word slut feels important. Like a kind of reclaiming. In a essay published in the Wall Street Journal last week, a male academic went on at quite some length about how women giving sex up to men too easily was the reason that they were ending up unmarried. Women have sexual desire. Men have emotional needs.